To stop her, Sebastian slapped her face and nearly dislocated her jaw. She attended to that, and then dismissed it as unimportant. She passed him silently as she dropped Michelle’s dried corpse into the open clay pit awkwardly, like a discarded doll. "Why, so it is," she said, in mock astonishment. "Why, first," rejoined Austin, "there's Sir James Thornhill, historical painter to his Majesty, and the greatest artist of the day.
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