“Take me back. A moment before, the surface of the stream was black as ink. In vain did the woollendraper offer to set him free if he would restore the stolen article, or give up his associate, to whom it was supposed he might have handed it. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Loans will just ruin my life because I need so many of them. ” 243 She felt a mixture of embarrassment, humiliation, and pride well up in her cheeks, flushing them. “Nothing so base. Only I wish that it did not remind one so much of a second-hand clothes shop. "Leave the room," interposed Kneebone, angrily.
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